Eurovision 2025: New measures to enhance artists' wellbeing

This year's contest in Malmö was filled with hate, accusations between delegations, and the disqualification of the Netherland's artist Joost Klein on the day of the Grand Final.

After the contest, the European Broadcasting Union (EBU) announced an "independent review" of the problematic issues of the contest.

The European Broadcasting Union (EBU) has now announced some changes that will be implemented at the Eurovision Song Contest 2025 in Basel.

Changes include a Code of Conduct for participants, a Duty of Care Protocol, no-filming zones, optimized rehearsal schedules, and a Welfare Producer role. These aim to ensure a supportive environment and reduce stress for artists, while reinforcing the contest’s commitment to unity, diversity, and community.

Focus on Wellbeing and Support

The EBU is working to improve communication, well-being, and everyone's positive experience at the Eurovision Song Contest.

These include the implementation of a new Code of Conduct and Duty of Care Protocol, based on existing rules and contracts, to guarantee that all event participants have defined roles and duties:

• The Code of Conduct mandates adherence to local laws, prohibits instrumentalization of the Contest, and outlines expectations for professional behavior, fair competition, and responsible communication.
• The Duty of Care Protocol is focused on ensuring the safety, well-being, and success of all participating artists.

Changes to Production and Participant Experience

In order to ensure that artists are confident on stage before performing to media and audiences, additional procedures for Eurovision 2025 will be implemented:

• No filming zones within key artist areas to provide participants with private spaces to prepare for their performances.
• More closed-door rehearsals to help artists focus on their performances without distractions.
• Optimized rehearsal schedules to ensure artists have plenty of time to rest and to enjoy the Host City
• Introduction of a Welfare Producer to be a key point of contact for artists and staff to ensure a safe, respectful, and supportive environment.

Commitment to Unity, Diversity, and Inclusion

Martin Green, the new ESC Director, says:

– In 2024, 163 million viewers saw the ESC on TV. Our digital platforms also experienced exponential growth. These successes reinforce the need to continually adapt the show’s structure to meet the evolving demands of both participants and audiences.

– We are United by Music – it’s up to all of us to ensure the Eurovision Song Contest remains an event that promotes unity, diversity, and inclusion.

– We believe the changes we’re making for Basel 2025 make the Eurovision Song Contest the best experience it can be for our participants, our staff, and our audiences.